December 2004 - KLF - mailman.xmission.com

RE: [KLF] Tim's auctions
by Don Gagen 10 Dec '04

10 Dec '04

"Recently a few have exchanged hands on eBay and - yet again - sadly a bootleg of this one surfaced at around the same time. There was a big discussion on the list a while back which involved a lot of scanned pictures, several seriously disappointed people, and the eventual creation of Don's webpage (mislaid the url, sorry) that describe the differences between the real thing and the boot." Here's the link to my craptasic site for the bootleg and real version of the acid mix. If someone wants to take this over I'd appreciate it, since it will be coming down and I don't know when I'll put it up again. http://home.earthlink.net/~dongagen/ "There is no greater joy than soaring high on the wings of your dreams, except maybe the joy of watching a dreamer who has nowhere to land but in the ocean of reality." Despair INC. DONALD D GAGEN MAILTO:DGAGEN@ENSEMBLESTUDIOS.COM ENSEMBLE STUDIOS http://www.ensemblestudios.com -----Original Message----- From: klf-bounces+dgagen=ensemblestudios.com(a)mailman.xmission.com [mailto:klf-bounces+dgagen=ensemblestudios.com@mailman.xmission.com] On Behalf Of Chris Peel Sent: Friday, December 10, 2004 3:14 AM To: 'All bound for Mu-Mu Land.' Subject: RE: [KLF] Tim's auctions PROMO 2 and 3 are much more collectable than CHOC ICE 2 and 3 (which came out roughly the same time and both sets seemed to follow a pattern - i.e. both had three promos, with each one in the series being more scarce than the former - if that makes sense). KLF92PROMO3 is generally agreed to have been a very low run - from the discog: 12"WL: 1992 UK (KLF Communications; KLF 92 PROMO 3) [promo x20? more?] 5:49 What Time Is Love? (acid mix) The track itself is very different to the released WTIL track - in fact there was speculation that it could have actually been a promo release for a prospective new mix. KLF92PROMO2 is still rare but not as rare as PROMO3. Again, from the discog: 12"WL: 1991 UK (KLF Communications; KLF 92 PROMO 2) [promo x50?; Dec 91] 7:23 January: What Time Is Love? [New-Year's "America: WTIL?" with "Auld Lang Syne" bagpipe intro] This is just an extended version of the general release with a bagpipe intro. I produced a couple of mp3's of both of these a while back, you should still be able to get them from Rob's FTP server. Failing that, I'll try to convert them again (still got the WAVs) and make them available. Chris -----Original Message----- From: klf-bounces+chris=k23productions.com(a)mailman.xmission.com [mailto:klf-bounces+chris=k23productions.com@mailman.xmission.com] On Behalf Of Danny T. Hutchins Sent: 10 December 2004 03:28 To: All bound for Mu-Mu Land. Subject: [KLF] Tim's auctions Hello all, First off, thanks for the info on STP Twentythree! I've not posted to the list for a while, but I'm always sure to monitor each and every message. I've followed the KLF since about 1989, collected their records from about 1991, and been a member of this list from early 1997 (I think). The list has been fantastic fun and has brought me in contact with a ton of great people and a lot of rarities I wouldn't have found otherwise. As a serious KLF collector, I own many rarities such as the IGUN grey vinyl, Pure Trance Last Train (not boot), CDs of Shag Times and WTIL Story, etc. I've even done business with Tim once or twice over the years and know that he's probably the top(known)collector of KLF merchandise. I was wondering if those in the know could illuminate me on his current auctions, especially WTIL acid mix and January WTIL. Of course, I've heard of these recordings many times, but don't know too much about the content as I've never heard them. Sonically, what's unique about these versions? Is January, a completely different recording, or rather the standard America WTIL with a different intro/samples? Is the acid mix of WTIL radically different/mega-intriguing mix or simply scarce due to the low number of pressings? Dan Hutchins _______________________________________________ KLF mailing list KLF(a)mailman.xmission.com http://mailman.xmission.com/cgi-bin/mailman/listinfo/klf Report list abuse to list-abuse at studio-nibble.com _______________________________________________ KLF mailing list KLF(a)mailman.xmission.com http://mailman.xmission.com/cgi-bin/mailman/listinfo/klf Report list abuse to list-abuse at studio-nibble.com

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Re: [KLF] Tim's auctions
by TheMgnt＠aol.com 10 Dec '04

10 Dec '04

> All the coloured presses are pretty rare. Have you ever seen a 5TOTP > mustardvinyl or clear vinyl? Or a blue 004X. I've always thought these were bootlegs....? -paul

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3 am eternal (readio freedom mix)
by Drazen Kusic 10 Dec '04

10 Dec '04

If anyone is interested here is a link: http://cgi.ebay.co.uk/ws/eBayISAPI.dllViewItem&category=43634&item=40585170… Dex My name is Dex and they call me Sky Riding the waves with out heads held high We came from Atlantis on a burning shell with our 808 program to sell. -- Easy pristup internetu bez prijave i dostupan odmah. Saznajte više na adresi http://www.iskon.hr/easy/

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Re: RE: [KLF] Tim's auctions
by John Milne 10 Dec '04

10 Dec '04

Really? I always assumed it was done by the Pipe Band in Newton Stewart (his old Dumfriesshire stamping ground - the town where he also recorded "The Man" album with the Triffids and Voice of the Beehive, and grew up in the 1950s). I think they certainly did the melodies on "America No More" - but it could well be a sample. John > Message date : Dec 10 2004, 06:26 PM > From : "Danny T. Hutchins" > To : "All bound for Mu-Mu Land." > Copy to : > Subject : RE: [KLF] Tim's auctions > Thanks for the links to the music files Chris! In typical KLF > fashion, I believe the bulk of the Lone Piper mix of WTIL to > be from the Star Trek II: The Wrath of Khan soundtrack. This > was played during Spock's funeral scene. > > Dan Hutchins > > _______________________________________________ > KLF mailing list > KLF(a)mailman.xmission.com > http://mailman.xmission.com/cgi-bin/mailman/listinfo/klf > Report list abuse to list-abuse at studio-nibble.com > -- Whatever you Wanadoo: http://www.wanadoo.co.uk/time/ This email has been checked for most known viruses - find out more at: http://www.wanadoo.co.uk/help/id/7098.htm

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RE: [KLF] Tim's auctions
by Danny T. Hutchins 10 Dec '04

10 Dec '04

Thanks for the links to the music files Chris! In typical KLF fashion, I believe the bulk of the Lone Piper mix of WTIL to be from the Star Trek II: The Wrath of Khan soundtrack. This was played during Spock's funeral scene. Dan Hutchins

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Re: AW: [KLF] edelweiss
by mwalczak＠speakeasy.net 10 Dec '04

10 Dec '04

I put the radio play up on the FTP a while ago, should still be there. But yeah, only German. I don't speak german very well, but when I'm walking around in a music store in Germany and I see a "new release" from the KLF, I damn sure buy it, whether I speak the language or not. -ecna- > -----Original Message----- > From: Daniel (KLF Online) [mailto:daniel@klf.de] > Sent: Friday, December 10, 2004 09:38 AM > To: 'All bound for Mu-Mu Land.' > Subject: Re: AW: [KLF] edelweiss > > > Well, the song was "I can see it in your eyes" and the ehem > ... artist ... was called "Milton". > > The song is crap but it really follows the rules of the Manual. > And interestingly enough there's a radio play that you can buy > on CD. It's called "Top Hit the easy way" but it's only in > German. It descibes how the Manual's chapters were followed! > > If anyone who's out there is able to understand a bit German > just go out and buy it. > > In the sleeve there's an interview with Bill and Jimmy that > was done only for this CD! So it's probably the newest KLF > interview to date. > > > Hope this helps. I have the data of the CD here if anyone's > interested. > > Cheers, Dan > --- > a.k.a. Kuta, KLF Online (www.klf.de) > > > > There was one song which was created following the manual earlier this > > (or last) year in a german show ("Elton TV"?). I am not completely sure, > > maybe Daniel or someone else from Germany know better about it. > > > > The song didn't reach #1, but it certainly charted. > > > > And I guess someone at Jive Records has read it regularly as well. ;-) > > > > > > ..::// Thomas Touzimsky > > > > A fanatic is one who cannot change his mind > > and will not change the subject. > > > > > > > > _______________________________________________ > > KLF mailing list > > KLF(a)mailman.xmission.com > > http://mailman.xmission.com/cgi-bin/mailman/listinfo/klf > > Report list abuse to list-abuse at studio-nibble.com > > > > > _______________________________________________ > KLF mailing list > KLF(a)mailman.xmission.com > http://mailman.xmission.com/cgi-bin/mailman/listinfo/klf > Report list abuse to list-abuse at studio-nibble.com >

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Re: [KLF] EXCLUSIVE! WHY THE K FOUNDATION BURNED A MILLION QUID!
by jon doe 10 Dec '04

10 Dec '04

why bob burned a million ======================================== Message date : Dec 10 2004, 03:23 PM >From : "Raymond Baal" To : klf(a)mailman.xmission.com Copy to : Subject : [KLF] EXCLUSIVE! WHY THE K FOUNDATION BURNED A MILLION QUID! This interview took place in on Hampstead Heath on the occasion of my finding former KLF roadist Gimpo hiding in the shubbery there while I was pottering around hankering after a couple of wichity grubs (I should have realised they're only on the telly not real). To this day, I have no idea what he was doing there unless he'd been subject to the same televisual delusion. Anyway, I had scarcely swallowed my gobstopper in surprise when the burly former manager of Buster Hymen and the Penetrators had rugby-tackled me to the ground and was attempting to spit petrol into my mouth. A few minutes later, I had this exclusive interview in the bag: Q: So why did the K Foundation burn a million quid, then, G? G: Well it hadn't started out like that. Bob and Jimmy were a bit worried that their accountants were planning to do a Sting or a George Harrison on them and make off for the Mexican border with their cash, so they nipped that one in the bud and filled out a withdrawal form for a mill. But on the way back from Hampstead, Bob had a dose of the jitters and persuaded me, Jimmy and a journalist I'd knocked down when the landrover mounted the pavement to make ourselves scarce and head up north in case we started to get all these charity cases like Z and whoever trying to get their arm in on the cash. Not to mention the taxman. And anyway before we knew it we were heading across a beach on the Isle of Jura towards a shed. By the time we fot there, the cash had got all wet because Bob didn't want to give the game away by carrying it in a big briefcase and that. So he'd had it stuffed up his jumper all the way up. It was getting dark so we got into the shed and decided that we'd spend the night there. I lit the fire and, well, what happened was that Bob was trying to dry his jumper and it ended up he left the cash too close to the fire while we were admiring the workmanship on the shed rafters there. Q: It was that simple? A: Well yeah. I mean once the first couple of hundred quid had gone up, we were jumping around trying to stomp it out but only ended up spreading the fire. So anyway, that was when I started filming and once they were on camera, that was it. They were off. Hardcore. Q: They didn't stop to think? They weren't going to be seen to be soft, were they? But anyway, there was a bit in the middle that I had to edit out when the door of the shed blew open and some of the cash made a beeline for the beach with the journalist running after it. At that point, Jimmy started to blub a bit. 'Oh fuck. What are we doing?' But that just encouraged Bob to carry on throwing it on the fire and he was telling me to keep filming so Jimmy eventually wasn't to be outdone was he? Q: So that explains the policeman finding bits of burned cash on the beach then. A: That'll be it, yeah. Q: Why, then, did they spend the best part of two years doing a book and a tour asking students why they'd burned it? A: Well they didn't want to look stupid, did they? So Bob thought that if they took out a few ads and went round the students that one of them would come up with a decent explanation instead of 'Because Bob left it too close to the fire' Q: But they didn't, did they? A: No. Q: So that's why there was the moratorium on the subject of the burning of the million? A: Yeah. They didn't want to talk about it. ___________________________________________________________ Win a castle for NYE with your mates and Yahoo! Messenger http://uk.messenger.yahoo.com _______________________________________________ KLF mailing list KLF(a)mailman.xmission.com http://mailman.xmission.com/cgi-bin/mailman/listinfo/klf Report list abuse to list-abuse at studio-nibble.com www.clsm.net -- Whatever you Wanadoo: http://www.wanadoo.co.uk/time/ This email has been checked for most known viruses - find out more at: http://www.wanadoo.co.uk/help/id/7098.htm

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Re: [KLF] EXCLUSIVE! WHY THE K FOUNDATION BURNED A MILLION QUID!
by TheRitesOfMu＠aol.com 10 Dec '04

10 Dec '04

In a message dated 10/12/2004 15:23:49 GMT Standard Time, raymondbaal(a)yahoo.co.uk writes: > This interview took place in on Hampstead Heath on the > occasion of my finding former KLF roadist Gimpo hiding > in the shubbery there while I was pottering around > hankering after a couple of wichity grubs (I should > have realised they're only on the telly not real). To > this day, I have no idea what he was doing there > unless he'd been subject to the same televisual > delusion. > Anyway, I had scarcely swallowed my gobstopper in > surprise when the burly former manager of Buster Hymen > and the Penetrators had rugby-tackled me to the ground > and was attempting to spit petrol into my mouth. > A few minutes later, I had this exclusive interview in > the bag: > > Q: So why did the K Foundation burn a million quid, > then, G? > > G: Well it hadn't started out like that. Bob and Jimmy > were a bit worried that their accountants were > planning to do a Sting or a George Harrison on them > and make off for the Mexican border with their cash, > so they nipped that one in the bud and filled out a > withdrawal form for a mill. But on the way back from > Hampstead, Bob had a dose of the jitters and persuaded > me, Jimmy and a journalist I'd knocked down when the > landrover mounted the pavement to make ourselves > scarce and head up north in case we started to get all > these charity cases like Z and whoever trying to get > their arm in on the cash. Not to mention the taxman. > And anyway before we knew it we were heading across a > beach on the Isle of Jura towards a shed. By the time > we fot there, the cash had got all wet because Bob > didn't want to give the game away by carrying it in a > big briefcase and that. So he'd had it stuffed up his > jumper all the way up. It was getting dark so we got > into the shed and decided that we'd spend the night > there. I lit the fire and, well, what happened was > that Bob was trying to dry his jumper and it ended up > he left the cash too close to the fire while we were > admiring the workmanship on the shed rafters there. > > Q: It was that simple? > > A: Well yeah. I mean once the first couple of hundred > quid had gone up, we were jumping around trying to > stomp it out but only ended up spreading the fire. So > anyway, that was when I started filming and once they > were on camera, that was it. They were off. Hardcore. > > Q: They didn't stop to think? > They weren't going to be seen to be soft, were they? > But anyway, there was a bit in the middle that I had > to edit out when the door of the shed blew open and > some of the cash made a beeline for the beach with the > journalist running after it. At that point, Jimmy > started to blub a bit. 'Oh fuck. What are we doing?' > But that just encouraged Bob to carry on throwing it > on the fire and he was telling me to keep filming so > Jimmy eventually wasn't to be outdone was he? > > Q: So that explains the policeman finding bits of > burned cash on the beach then. > > A: That'll be it, yeah. > > Q: Why, then, did they spend the best part of two > years doing a book and a tour asking students why > they'd burned it? > > A: Well they didn't want to look stupid, did they? So > Bob thought that if they took out a few ads and went > round the students that one of them would come up with > a decent explanation instead of 'Because Bob left it > too close to the fire' > > Q: But they didn't, did they? > > A: No. > > Q: So that's why there was the moratorium on the > subject of the burning of the million? > > A: Yeah. They didn't want to talk about it. > > > ok i take it that Raymond has a funny sense of humour... except doesn't quite know all the facts... LIKE B+J = Bill + Jimmy not BOB wizard

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EXCLUSIVE! WHY THE K FOUNDATION BURNED A MILLION QUID!
by Raymond Baal 10 Dec '04

10 Dec '04

This interview took place in on Hampstead Heath on the occasion of my finding former KLF roadist Gimpo hiding in the shubbery there while I was pottering around hankering after a couple of wichity grubs (I should have realised they're only on the telly not real). To this day, I have no idea what he was doing there unless he'd been subject to the same televisual delusion. Anyway, I had scarcely swallowed my gobstopper in surprise when the burly former manager of Buster Hymen and the Penetrators had rugby-tackled me to the ground and was attempting to spit petrol into my mouth. A few minutes later, I had this exclusive interview in the bag: Q: So why did the K Foundation burn a million quid, then, G? G: Well it hadn't started out like that. Bob and Jimmy were a bit worried that their accountants were planning to do a Sting or a George Harrison on them and make off for the Mexican border with their cash, so they nipped that one in the bud and filled out a withdrawal form for a mill. But on the way back from Hampstead, Bob had a dose of the jitters and persuaded me, Jimmy and a journalist I'd knocked down when the landrover mounted the pavement to make ourselves scarce and head up north in case we started to get all these charity cases like Z and whoever trying to get their arm in on the cash. Not to mention the taxman. And anyway before we knew it we were heading across a beach on the Isle of Jura towards a shed. By the time we fot there, the cash had got all wet because Bob didn't want to give the game away by carrying it in a big briefcase and that. So he'd had it stuffed up his jumper all the way up. It was getting dark so we got into the shed and decided that we'd spend the night there. I lit the fire and, well, what happened was that Bob was trying to dry his jumper and it ended up he left the cash too close to the fire while we were admiring the workmanship on the shed rafters there. Q: It was that simple? A: Well yeah. I mean once the first couple of hundred quid had gone up, we were jumping around trying to stomp it out but only ended up spreading the fire. So anyway, that was when I started filming and once they were on camera, that was it. They were off. Hardcore. Q: They didn't stop to think? They weren't going to be seen to be soft, were they? But anyway, there was a bit in the middle that I had to edit out when the door of the shed blew open and some of the cash made a beeline for the beach with the journalist running after it. At that point, Jimmy started to blub a bit. 'Oh fuck. What are we doing?' But that just encouraged Bob to carry on throwing it on the fire and he was telling me to keep filming so Jimmy eventually wasn't to be outdone was he? Q: So that explains the policeman finding bits of burned cash on the beach then. A: That'll be it, yeah. Q: Why, then, did they spend the best part of two years doing a book and a tour asking students why they'd burned it? A: Well they didn't want to look stupid, did they? So Bob thought that if they took out a few ads and went round the students that one of them would come up with a decent explanation instead of 'Because Bob left it too close to the fire' Q: But they didn't, did they? A: No. Q: So that's why there was the moratorium on the subject of the burning of the million? A: Yeah. They didn't want to talk about it. ___________________________________________________________ Win a castle for NYE with your mates and Yahoo! Messenger http://uk.messenger.yahoo.com

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RE: [KLF] KLF / FSOL / DATED / HAHAHAHAHAHAAaaaaa
by Raymond Baal 10 Dec '04

10 Dec '04

It's no good, Chris. I tried that but I couldn't see the screen from behind there. And last Christmas when I switched my firewall on, all the decorations went up in smoke. A better solution is to boot up Windows 3.1 and use a 14.4 modem. That's prevented some hacker scumbag from trying to nick the pictures I have of the Spice Grils sucking KLF dick watched by The Orb and FSOL. That'll show them. By the way, I was only droping by to say that that Â£18m Chanel ad is a complete waste of money. That single she did with Robbie Williams was cack. Subject: RE: [KLF] KLF / FSOL / DATED / HAHAHAHAHAHAAaaaaa Date: Thu, 9 Dec 2004 19:41:12 -0000 From: "Chris Peel" <chris(a)k23productions.com> Reply-To: "All bound for Mu-Mu Land." <klf(a)mailman.xmission.com> To: "'All bound for Mu-Mu Land.'" <klf(a)mailman.xmission.com> Yeah, and I'm hiding behind Windows XP SP2 so there! And my firewall is turned on... :p -----Original Message----- From: klf-bounces+chris=k23productions.com(a)mailman.xmission.com [mailto:klf-bounces+chris=k23productions.com@mailman.xmission.com] On Behalf Of jai Sent: 09 December 2004 19:28 To: All bound for Mu-Mu Land. Subject: Re: [KLF] KLF / FSOL / DATED / HAHAHAHAHAHAAaaaaa On 9 Dec 2004, at 18:58, K. Weston wrote: > if i wasn't more mature > i would wipe your hard disk for that... > anyway say hi to your mum... oh, so you're some 9 year old script kiddie are you? certainly sounds that way i doubt you're some l33t h4xx0r with skillz we should ph34r if you were that good, you'd have far more interesting things to do than waste all your time on mailing lists but if you recon you've got what it takes, you can give it your best on my hard disk if you like. here, i'll give you a head start, here's my current ip 63.161.169.137 -- --- from Spaced 1x02 - They're playing the Timewarp, Mike, I hate the Timewarp! It's boil-in-the-bag perversion for sexually repressed accountants and first year drama students with too many posters of Betty Boo, the Blues Brothers, the Big Blue and Blue Velvet on their blue bloody walls !! - It's just a song - I don't care !! I hate it !!! ===== 'Contained in a transcendental idealism, X$X is only readable through its representing other which hence becomes its symbol.' Michael K, 1997 ___________________________________________________________ Win a castle for NYE with your mates and Yahoo! Messenger http://uk.messenger.yahoo.com

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