Where next for JZ?

My first reaction is to say "relevant to whom?" His current audience, a wider audience? For me, he's more important as head of a label committed to making the avant-garde available to John Q. Public than as a composer or a player. But, as a player...for purely selfish reasons, what I'd really like him to do is work hard for however long it takes to get his alto playing where he thinks it needs to be, then record "Classic Guide to Strategy Vol. 3." William Crump ----------

From: "Zachary Steiner" <zsteiner@butler.edu>

I'll end this with questions: Where do list members want Zorn to go? What should he be doing to stay relevant?