Hello, ....when filmmakers draw on already recorded music for their movies, the urge for other filmmakers to re-use seems more common. Terrence Malick used Erik Satie music in the great "Badlands", and it turned up again in "True Romance". Scorsese's use of the Ronettes in the opening to his excellent "Mean Streets" sent a film buff friend of mind nearly over the edge when whoever did "Dirty Dancing" reused it for the opening to that movie. I remain... Joseph NP: John Zorn- "Locus Solus" CD NR: Jonathan Eisen (ed.)- "Twenty Minute Fandangos and Forever Changes" -----Original Message----- From: zorn-list-admin@mailman.xmission.com [mailto:zorn-list-admin@mailman.xmission.com]On Behalf Of Arthur Gadney Sent: Sunday, August 25, 2002 8:39 PM To: zorn-list@lists.xmission.com Subject: Bill Frisell & film music question Hi. I recently saw "Finding Forrester" (which was dissapointing, btw) and was quite surprised. Bill Frisell wrote a lot of music for it, but as it's main theme it uses the last song from the "Quartet" CD. However, in the "Quartet" linernoted it's mentioned that this piece of music was originally composed for the Italian film "La Scuola". This must be a first. At least I can't think of any other examples, where somebody just took the theme from one film and usd it in another. Lets blame it on Hal Wilner. He seems able to destroy anything he gets his hands on. What a shame. _________________________________________________________________ Chat with friends online, try MSN Messenger: http://messenger.msn.com _______________________________________________ zorn-list mailing list zorn-list@mailman.xmission.com To UNSUBSCRIBE or Change Your Subscription Options, go to the webpage below http://mailman.xmission.com/cgi-bin/mailman/listinfo/zorn-list