Sorry to leap into the fray way after the fact, but I was distracted. To bring the topic back "on": The Good the Bad and the Ugly" commissioned by McCann Erikson Ad Agency, for Camel cigarettes(but never used), on FilmWorks I ...and the 31 cues written for Weiden and Kennedy, for products that shall remain nameless, on Film Works III "I have a very special relationship with the commercial house of Weiden and Kennedy - when they need something off-the-wall, they call me. My deal is simple, but unheard of in the commercial music field. I never do demos - I never 'redo' anything. I do the job once - I do it the way I want - and I get paid whether they use the music or not. Hardly the description of a commercial sellout. Weiden and Kennedy is probably the only agency who would do such a thing. Most commercial houses find it impossible to trust an artist in this way, but Weiden and Kennedy has proved that one can work in the world of advertising and still retain one's integrity and creativity." JZ, from the liner notes of FW III And I may be mistaken, but didn't someone mention they'd heard some other Zorn in a commercial a couple years ago? Maybe not. Dan