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IN STOCK: PATTON/ZORN/IKUE - LTD (2500 copy) "HEMOPHILIAC" 2CD signed by all!
by emanuel maris 12 Jun '02

12 Jun '02

from DOWNTOWN MUSIC GALLERY email newsletter: dmg[at]panix.com dtmgallery[dot]com 211 East 5th street NY, NY 10003 212-473-0043 800-622-1387 AND FINALLY IN STOCK (Drum Roll!): The LIMITED (2500 copy) ED. "HEMOPHILIAC " 2CD Set!!! JOHN ZORN/IKUE MORI/MIKE PATTON - Hemophiliac [2 CD set] (Tzadik 0001) Autographed by all 3 Artistes and limited to 2500 copies worldwide. Taken from live recordings of this trio's (Patton - voice and electronics, Zorn - sax and voxals, Ikue - drum machines and electronics) performances from the last 2 years in both Europe and the US, this material will never again be re-issued! Scary sounds abound in the bizarre terrains of abstract vocalizations, sax shrieks, and percussive electronics, and even a little impromptu rapping! Ya better hurry! - the majority of this edition has already been sold in pre-orders. In-store customers may pick this up [after Monday June 10th] for $42 + Tax OR PLACE YOUR ORDER THROUGH THE 'TZADIK' OR 'IPECAC' WEBSITES: Tzadik[dot]com or Ipecac[dot]com - US mail order customers pay $45 which includes shipping (+ Tax for NYS residents) Canadian and Mexican customers pay $48 which includes shipping All other International customers pay $50 which includes shipping Those with existing Mail Pre-orders: We are slogging through the apx 2200+ preorders and expect to have them full processed (charged) and shipped on or before Thurs June 20th. Orders place just now would probably not go out before then, but we are working very hard to get it ALL done by then! PLEASE NOTE - If you are ordering directly from Downtown Music Gallery: due to the special nature of this item, we may not deviate from these prices. _________________________________________________________________ Chat with friends online, try MSN Messenger: http://messenger.msn.com

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NZ: Speaking Of Greenaway
by s~Z 12 Jun '02

12 Jun '02

http://petergreenaway.co.uk/tulse.htm

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Sam Rivers' WAVES on Tomato: new or reissue?
by Patrice L. Roussel 11 Jun '02

11 Jun '02

I just saw this weekend WAVES, a Sam Rivers record on Tomato (with Joe Daley, Dave Holland, and Thurman Barker). It is a reissue or is it a new recording (maybe of older material)? Thanks, Patrice.

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Re: zorn-list digest, Vol 1 #53 - 12 msgs
by Mark Cook 11 Jun '02

11 Jun '02

> From: Albrecht Koschnik <akoschni(a)mailer.fsu.edu> > Subject: KC collectors' club > To: zorn-list(a)mailman.xmission.com > Date: Tue, 11 Jun 2002 01:51:04 -0400 (EDT) > > I am esp. keen on hearing the > Fripp/Collins/Burrell/Wallace live material, > of which the club offers several CDs. Comments, > recommendations??? > > Thanks, Albrecht Albrecht, I really like Club #9 Live at Summit Studios 1972. Good sound and excellent playing. Mark http://www.99namesofgod.com http://www.tapegerm.com __________________________________________________ Do You Yahoo!? Yahoo! - Official partner of 2002 FIFA World Cup http://fifaworldcup.yahoo.com

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Re: more CDR advice (pc)
by RainDog138＠aol.com 11 Jun '02

11 Jun '02

as far as loading the audio back on from a CDR or leaving the WAV on your computer - I don't believe there would be any difference at all. assuming your WAV was a simple 16 bit depth / 44,100 sample rate. If it was higher than that then the WAV would be superior than the CDR version which would have to be 16/44.1 in order to played in a standard cd player. the differences between sample rates are hardly audible until you get really high with them (96k). though 24 bit is audibly superior or atleast different than 16 bit it's still very subtle. and if you think about it - it's all gonna end up on a 16 bit - 44.1khz CD anyways so it almost renders the higher sample rates useless in the end. somewhat opinionated when it comes to digital recording - mt

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THAT was quick...! [re: CD reissues]
by Steve Smith 11 Jun '02

11 Jun '02

Didn't I just request this a few days ago? From the new Forced Exposure new release list: _____________________________________________ SUNSPOTS (ITALY): SHARROCK, SONNY: Monkey-Pockie-Boo CD (SPOT 504 CD). "An album recorded in Paris (on June 22nd, 1969) with his wife Linda plus Ben Guerin (bass) and Jacques Thollot (drums). Sonny Sharrock was one of the top avant-garde guitarists and his playing was intense and ferocious. He mixed together Jimi Hendrix and Pharoah Sanders. 'Sharrock was the first guitarist to really embrace fire music. He wanted his playing to mirror the emotional scream of the tenor saxophone' (Thurston Moore and Byron Coley). Original artwork. Gatefold sleeve. 180 gram HQ vinyl." $15.00 _____________________________________________ Of course, I'm assuming that this IS, in fact, a CD, and that the bit at the end about "180 gram HQ vinyl" means that someone at Forced Exposure recycled the blurb they'd used for the Get Back LP release and was too lazy to cut the bit at the end... Hot damn, I finally get to hear this thing! (Thanks, too, to those who reminded me that the Obscure versions of the Bryars pieces had indeed already been reissued...) Steve Smith ssmith36(a)sprynet.com NP - What We Live, "Spelled Backwards," 'Especially the Traveller Tomorrow' (Metalanguage)

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Re: more CDR advice (pc)
by TagYrIt＠aol.com 11 Jun '02

11 Jun '02

In a message dated 6/11/2002 2:20:27 AM Eastern Standard Time, RainDog138(a)aol.com writes: > be sure to save your remastered file as a wav > file rather than the ever popular though inferior mp3 format. > > Which brings up another question I had about this - after I've recorded a file into my computer and burned it, supposing I want to come back to it at a later date to do some additional cleaning up, is it sufficient to load the material from the burned CDR, or should I keep the original on my computer for this purpose? Dale.

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Harry Flint
by Richard Gardner 11 Jun '02

11 Jun '02

My local shop now has Harry Flynt - Raga Electric (Locust No6) Their mail list says: The tracks featured here epitomise the most extreme recordings Henry Flynt made. In fact he said 'I was really reaching. Those were the heroic years'. In the early 60s, fresh from his years at Harvard, Flynt was undergoing rapid ideological shifts, performing at Yoko Ono's loft and recording with that other doyenne of experimental music, La Monte Young. Still searching for a new musical language he arrived at 'audact' (auditory acognitive cultural activity) and this collection has material from 1963 to 1971 using this technique. "Raga Electric" is seven tracks of wierd Hindustani vocalese, ululating threnodies, jarring vocal attacks and blistering alto sax mayhem. The title track is a twisted, howling fake hindustani rag with staccato untuned guitar and bleating screams recorded at his home just a few short hours after seeing Pandit Pran Nath in concert. Howling orgasmic, visionary yodels that will snap your cerebral cortex. Anybody know this? Is it worth getting? Cheers Richard Gardner

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CDR help
by TagYrIt＠aol.com 11 Jun '02

11 Jun '02

I'm not sure if this has been covered much or at all lately. I've just figured out how to import and burn sound files from external sources - records and tapes. However, I would like to do some EQing/tonal response editing on some of these. What programs are people using, or do they like for this? I'm running Windows XP. Thanks! Dale.

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Re: CDR help
by Dgasque＠aol.com 11 Jun '02

11 Jun '02

In a message dated 6/10/02 6:35:28 PM Eastern Daylight Time, TagYrIt(a)aol.com writes: << I'm not sure if this has been covered much or at all lately. I've just figured out how to import and burn sound files from external sources - records and tapes. However, I would like to do some EQing/tonal response editing on some of these. What programs are people using, or do they like for this? I'm running Windows XP. Thanks! >> Might I also suggest you check out the fully-functional 30-band Graphic Equalizer Studio and WAV/MP3 refresher by Pas Products. you can d/l a fully-functional copy for a 15-day trial, after which you pay $99 to get a copy that continues to work. With it, you can do the EQing manually, or with its many automation tools. I use it to give added life to mixes and concerts I find on the Web. I've made some RA/OGG streams encoded at low bandwidths sound as good as most bootlegged recordings I've heard. It's a super product and an extremely simple one to use. <A HREF="http://www.pas-products.com ">http://www.pas-products.com</A> Standard disclaimer- I don't work for this company! -- =dg=

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