Maybe even this is too much.  I'll try listening again, but I'm not in any rush to do so.

Are you sure you guys aren't reaching to like this?  What's different between this and his previous works?  I see nothing new here (it's even old, old, old subject matter.) And what is here is frankly boring, with most songs sounding like each other. And while continuity throughout a project makes sense, this is well beyond being desirous of continuity.

I used to love Sting because everything he did seemed to be turning over new ground.  No new ground here, not even interestingly re-worked old ground.

This seems like nothing more than a vanity project, a personal project.  That's great, that's fine.  Maybe he's honing his Broadway Musical Skills (gack, yack, ergggggh) for a future Boffo SRO project.

But this is not that.

Sorry Sting, sorry group, C-

Diggie


From: "BBredice@aol.com" <BBredice@aol.com>
To: ross@rossviner.com; police@mailman.xmission.com
Sent: Wednesday, September 25, 2013 6:17 PM
Subject: Re: [Police] The Last Ship

Buy deluxe CD from Amazon, immediately download it, listen to it once, put it aside, and when the CD arrives in a few days, put it away and don't bother opening it.  This thing is good for one listening.
 
Bill 
 
In a message dated 9/25/2013 1:29:40 P.M. Pacific Daylight Time, ross@rossviner.com writes:





Thanks
Holly,

Is
there any real difference between the two versions of “Practical Arrangement” on
the Amazon deluxe version?

I
can’t decide whether it’s worth waiting out for the three additional tracks, or
if I should truck on down to my local HMV and get the 17 track
version.

The
other thing I’m curious about is any difference in
packaging.

 


From:
police-bounces@mailman.xmission.com [mailto:police-bounces@mailman.xmission.com]
On Behalf Of Holly Mollo
Sent: September-25-13 8:36
AM
To: SDFT
Subject: [Police] The Last
Ship

 


Hi
All,


While my CD has yet to
arrive from Amazon, they have released the MP3 version to my Amazon Cloud
Player, and I just finished listening to all 20
tracks. 


While I find it musically
wonderful, I wonder if it will ever really make it to Broadway. It doesn't sound
like a Broadway musical; I think it's too Geordie for American
tastes!


I can see it being
successful on the London stage -- there are many references that will resonate
with British audiences. 


For example, the whole
song about Isembard King Brunell will not register with 99.9% of Americans; the
only reason I know who he was is because I watch a lot of BBC
America!


Also, I enjoy British folk
music; many Americans do not. The romantic ballad is beautiful and has a
universal message, 


but it would undoubtedly
be eschewed for the rock'n'roll number! (which is great, by the way, but not on
a par with the ballad.)


I love his lyrics (although
these are mostly dark) because they presuppose that the listener will understand
what he has to say, 


and his rhythms and schemes
are so clever, I just shake my head at his mad
skills! 


The music does indeed
reference the Soul Cages -- he actually sings about the Soul
Cages 


in one number! -- but that
is completely fine with me. As far as I'm concerned, that was some of his finest
work.


This is also a fine work,
which I really enjoyed listening to, and will enjoy many times over, but it
isn't terribly commercial.


But what a refreshing break
from the trashy pop that passes as music
nowadays! 


There are no gimmicks or
needless noise; just music. Really good
music.


My grade for this CD? I give
it an A+, but that's me. I hope others will enjoy it as much as I
did.


Can't wait to hear what you
all think! 


Have a great
week!


Holly


 


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