This only really effects UK ppl on the list... but...

Dear Music Lover ,

If you care about the future of live music in this country, please take the

time to read this message...

You may not have heard about this, but the Government is about to try and

bring in a ridiculous new law which will make it far, far harder for pubs,

clubs, organisations and anyone else for that matter to promote live music.

The proposals in Culture, Media and Sport Secretary Kim Howells' new

Licensing Bill, published a couple of weeks ago, will mean that soon you

will need a licence (cost £100 -£3,000) to perform music of any kind almost

anywhere!

What's more anyone caught giving an unlicensed performance (and that could

even include you and your family singing "Happy Birthday" to your granny at

a party in a restaurant!) will be liable for prosecution and a heavy fine

or even a jail sentence!

Unbelievable, isn't it?

If you're as outraged by this as I am, DON'T DELAY!

WRITE TO YOUR MP

WRITE TO YOUR LOCAL PAPER

TELL ALL YOUR FRIENDS

SEND THIS MESSAGE TO EVERYONE ON YOUR E-MAIL LIST

PLEASE HELP US FIGHT THIS CRAZY PROPOSAL BEFORE IT'S TOO LATE!

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TAX ON ENTERTAINMENT

Proposed new law will effect everyone

Recently there have been press headlines about the government ' s proposals

to abolish the restriction on pub opening hours. At last we will fall in

line with just about every other country in the world. Hurrah!

But before you cheer too loudly, there is a sting in the tail and a nasty

one at that. It lies in the less publicised parts of "The Licensing Bill"

currently before Parliament.

At the same time as revising the law on pub opening, the Government is

proposing to tidy up the situation on entertainment licenses which is

riddled with anomalies; but rather than making the situation better, the

proposed bill makes it far worse.

For a start, all the pubs and clubs that have 'got away' without needing a

Public Entertainment Licence in the past because they've never had more

than 2 musicians appearing at the same time will need a licence in the

future. The two-in-a-bar rule was a long outdated regulation and needlessly

restricted live music performance but what it is being replaced with will

limit live music still further.

Then there are all the other areas of public entertainment. The bill

currently before parliament contains provisions that will have a serious

impact on all branches of the performing arts, both amateur and

professional. All premises in which performing arts activities take place

will require a licence from the local authority. No costs have been

revealed, but licences will be granted only after inspection by the police,

fire authority, health and safety inspectors and consultation with local

residents and interest groups, so the cost will be far from nominal. At

present a license for a pub can be anywhere between £100 and £3,000

depending on where in the country.

Churches, schools, village halls, pubs, restaurants, even private houses

will have to be licensed if used for performance events, whether they take

place frequently or only occasionally. Performances for members of clubs or

for charitable purposes are also subject to this legislation, as are

recording studios and premises used for rehearsals. Any performance in

unlicensed premises will be a criminal offence, punishable by a large fine

and costs, or a prison sentence.

Religious gatherings are exempt but here¹s a prime example of the madness

of this legislation. 100 people attending a church service and singing

hymns with orchestral accompaniment will not require a license. But if the

same 100 people go into the same church simply to listen to the orchestra

(i.e. a concert) it will require an entertainment license. It really will

be a tax on entertainment.

Existing legislation relating to law and order, noise nuisance and health

and safety makes the licensing of premises specifically for entertainment

superfluous. There is no need for new regulations. No other country imposes

such restrictions on artistic activities and a leading legal authority has

determined that this legislation is incompatible with Article 10 of the

European Convention on Human Rights relating to freedom of expression.

Who, then, has been campaigning for these measures? Suspicion must fall on

local authorities for whom this legislation will be a big money

earner. These organisations have had a significant influence on the

committee that formulated the Licensing Bill, while bodies representing

arts interests have been refused representation.

Recent experience indicates the lengths to which some local authorities go

in applying the letter of the law. A landlord was fined £500, with more

than £1,500 costs, for allowing four of his regulars to sing OHappy

Birthday¹ (without an entertainment license); another was threatened with

court action when patrons were seen to be Otapping their feet¹ to, and

therefore being Oentertained¹ by, unauthorised music. The new Licensing

Bill provides even more opportunities for Ojobsworth¹ interference in

harmless activities.

The net effect of this new law will be to curtail peoples¹ freedom and

drastically reduce the number of small-scale music performances. If you

value your freedom to enjoy watching and listening to, or participating in

live performance ­ be it music, drama, poetry reading, or any other

performance art ­ then you need to voice your concern about this new

legislation. Once it becomes law, it will be a difficult and lengthy

process to get it changed and the damage to the performance arts could well

be permanent.

Write to you Member of Parliament, your County and District councillors,

and your local paper.

Here is a recent interview given by, Tim Aves, to his local newspaper.

It throws further light on the madness of this proposed new legislation.

MUSICIANS will be utterly horrified when they find out how much the Bill

will cramp their style, says blues singer and festival organiser Tim Aves.

But the most worrying aspect, he adds, is that many people are unlikely

to discover the full implications of the Government proposals until it's

too late and they have already passed into law.

"It really is hard to credit that a Government which has aligned itself so

closely with rock and pop musicians should come up with something that will

do so much harm to musicians everywhere," he adds. " You tell other

musicians

what it is likely to mean and most of them just think you're having them

on."

Tim, 44, has worked widely as a semi-professional musician for 25 years,

first with r'n'b band Automatic Slim and currently with Essex blues outfit

The Rockin' Armadillos, with whom he has released two acclaimed CDs and

recently recorded a session for BBC Radio 2's Paul Jones R&B Show.

He is also one of the organisers of the long-running annual Burnham

Festival of Music and the Arts - and in this capacity has been lobbying for

some time for a change to the present law.

"The current laws are clearly daft," he says. "They were made for an age

before amplified music was the norm. Imagine if the roads were still

regulated by laws made for horses and carts - that's where we still are

with music licensing!

"But to continue the analogy, what is being proposed is the equivalent of

putting a man with a red flag in front of every car on the M25. It's

heavy-handed, overly bureaucratic and proscriptive. If the Bill passes into

law, you'll probably need a licence to break wind!"

All the Government needs to do, he argues, is to look at the problems

associated with live music - noise, electrical safety and overcrowding in

venues - and make sure there are proper legal safeguards to deal with

these.

"The legal framework for these safeguards is already largely there under

other laws," he adds. "All the Government has to do is apply a light touch

to co-ordinate these safeguards and leave the creative side to its own

devices. It's what they do in the USA, continental Europe - even just over

the border in Scotland and Ireland - and it works just fine."

He is especially concerned that for the first time, musicians

will be responsible for making sure the places they play are licensed -

with

the threat of prosecution hanging over them if they're caught giving an

unlicensed performance.

"Imagine taking the Salvation Army band to court for playing Christmas

carols in the local shopping centre, or prosecuting a family group for

singing 'Happy Birthday' at a private party," Tim adds. "Crazy as it seems,

both these situations would require a licence, under the proposals.

That's how idiotic and petty this thing really is!"

And here's an interesting notion...

If he's not careful, a certain Mr A Blair, could fall foul of his own law,

as he strums his Fender Stratocaster in the privacy of his Downing Street

home! Under the Bill, for the first time, rehearsal areas will require a

licence - and it's far from clear exactly what, in law, will constitute

rehearsal space.

And what will be gained by imposing the most restrictive controls in the

West upon a grass-roots music scene whose creativity has long been the envy

of the world?

"It makes me seething mad every time I think about it," Tim adds.

"Absolutely nobody will gain - and a hell of a lot of people will lose.

The little guy who makes his living playing solo in pubs; school choirs;

young bands who need small gigs to hone their performing skills; the huge

numbers of working musicians who are the cultural lifeblood of this country

- they'll all lose out".

"That's why it is VITALLY important that everyone - not just musicians, but

everyone who cares about the future of music in Britain - gets in touch

with their MP right now and makes a huge fuss about this.

Otherwise, the cultural map of this country will be irreparably changed for

ever."



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