I know this sounds stupid, but does anyone know how B&J (or whoever) manage to extract just the vocals from a certain track. Of course, it'd be easy if there's an accapella version of the track available but, for example, Wanda Dee's "To The Bone" is chock full of goodies used by The KLF, only there's a backing beat running along behind them. Chris
I know this sounds stupid, but does anyone know how B&J (or whoever) manage to extract just the vocals from a certain track. Of course, it'd be easy if there's an accapella version of the track available but, for example, Wanda Dee's "To The Bone" is chock full of goodies used by The KLF, only there's a backing beat running along behind them.
Chris
The beats are still there. They drop the bass frequencies and enhance the higher frequencies, so that the drums are covered by the bassline/drums in their tracks. A good example of this is WTIL live at tr. where the kraftwerk sample is played. You can definately hear the kraftwerk beats on there. Andrew
spot on, it must be common knowledge to you but what is the craftwork sample (which bit)
I know this sounds stupid, but does anyone know how B&J (or whoever) manage to extract just the vocals from a certain track. Of course, it'd be easy if there's an accapella version of the track available but, for example, Wanda Dee's "To The Bone" is chock full of goodies used by The KLF, only there's a backing beat running along behind them.
Chris
The beats are still there. They drop the bass frequencies and enhance the higher frequencies, so that the drums are covered by the bassline/drums in their tracks.
A good example of this is WTIL live at tr. where the kraftwerk sample is played. You can definately hear the kraftwerk beats on there.
Andrew
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It's hard to describe. I will upload it to the FTP site this evening for you to check out, along with a few other sample-sources. Regards Andrew
spot on, it must be common knowledge to you but what is the craftwork sample (which bit)
I know this sounds stupid, but does anyone know how B&J (or whoever) manage to extract just the vocals from a certain track. Of course, it'd be easy if there's an accapella version of the track available but, for example, Wanda Dee's "To The Bone" is chock full of goodies used by The KLF, only there's a backing beat running along behind them.
Chris
The beats are still there. They drop the bass frequencies and enhance the higher frequencies, so that the drums are covered by the bassline/drums in their tracks.
A good example of this is WTIL live at tr. where the kraftwerk sample is played. You can definately hear the kraftwerk beats on there.
Andrew
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nice one , thanks ----- Original Message ----- From: Andrew McCombe <andrew@euperia.com> To: All bound for Mu-Mu Land. <klf@mailman.xmission.com> Sent: Thursday, July 17, 2003 11:54 AM Subject: Re: [KLF] SFQ
It's hard to describe. I will upload it to the FTP site this evening for
you
to check out, along with a few other sample-sources.
Regards Andrew
spot on, it must be common knowledge to you but what is the craftwork sample (which bit)
I know this sounds stupid, but does anyone know how B&J (or whoever) manage to extract just the vocals from a certain track. Of course, it'd be easy if there's an accapella version of the track available but, for example, Wanda Dee's "To The Bone" is chock full of goodies used by The KLF, only there's a backing beat running along behind them.
Chris
The beats are still there. They drop the bass frequencies and enhance the higher frequencies, so that the drums are covered by the bassline/drums in their tracks.
A good example of this is WTIL live at tr. where the kraftwerk sample is played. You can definately hear the kraftwerk beats on there.
Andrew
_______________________________________________ KLF mailing list KLF@mailman.xmission.com http://mailman.xmission.com/cgi-bin/mailman/listinfo/klf
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From: http://www.cuug.ab.ca/~lapierrs/creative/kraftwerk/samples.html ARTIST: The KLF (AKA the Jams AKA the Timelords) ALBUM: The White Room DATE: 1991 TRACK: What Time is Love? During an interlude about 3 minutes into the track, you can hear the ascending series of xylophone-like sounds from Home Computer. It doesn't sound like a direct sample of the KW sound, but it is very close. NOTE: Rob Holman adds that an early version of this track, on its same-titled single, was heavily based on The Robots but was withdrawn when Kraftwerk's land sharks drew near. Regards Andrew ----- Original Message ----- From: "Jon Doe" <jondoe@clsmweb.fsnet.co.uk> To: "Andrew McCombe" <andrew@euperia.com>; "All bound for Mu-Mu Land." <klf@mailman.xmission.com> Sent: Thursday, July 17, 2003 12:09 PM Subject: Re: [KLF] SFQ
nice one , thanks ----- Original Message ----- From: Andrew McCombe <andrew@euperia.com> To: All bound for Mu-Mu Land. <klf@mailman.xmission.com> Sent: Thursday, July 17, 2003 11:54 AM Subject: Re: [KLF] SFQ
It's hard to describe. I will upload it to the FTP site this evening for
you
to check out, along with a few other sample-sources.
Regards Andrew
spot on, it must be common knowledge to you but what is the craftwork sample (which bit)
I know this sounds stupid, but does anyone know how B&J (or whoever) manage to extract just the vocals from a certain track. Of course, it'd be easy if there's an accapella version of the track available but, for example, Wanda Dee's "To The Bone" is chock full of goodies used by The KLF, only there's a backing beat running along behind them.
Chris
The beats are still there. They drop the bass frequencies and enhance the higher frequencies, so that the drums are covered by the bassline/drums in their tracks.
A good example of this is WTIL live at tr. where the kraftwerk sample is played. You can definately hear the kraftwerk beats on there.
Andrew
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_______________________________________________ KLF mailing list KLF@mailman.xmission.com http://mailman.xmission.com/cgi-bin/mailman/listinfo/klf
_______________________________________________ KLF mailing list KLF@mailman.xmission.com http://mailman.xmission.com/cgi-bin/mailman/listinfo/klf
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On Thu, Jul 17, 2003 at 01:21:23PM +0100, Andrew McCombe wrote:
From: http://www.cuug.ab.ca/~lapierrs/creative/kraftwerk/samples.html
ARTIST: The KLF (AKA the Jams AKA the Timelords) ALBUM: The White Room DATE: 1991 TRACK: What Time is Love? During an interlude about 3 minutes into the track, you can hear the ascending series of xylophone-like sounds from Home Computer. It doesn't sound like a direct sample of the KW sound, but it is very close. NOTE: Rob Holman adds that an early version of this track, on its same-titled single, was heavily based on The Robots but was withdrawn when Kraftwerk's land sharks drew near.
Interesting, but strange as to why the sample is never mentioned in the credits for the track -- Loki Ambrodious von Esling -|- RELST8 - http://www.relst8.net |
on Thursday, July 17, 2003, Andrew McCombe <andrew@euperia.com> wrote...
From: http://www.cuug.ab.ca/~lapierrs/creative/kraftwerk/samples.html
NOTE: Rob Holman adds that an early version of this track, on its same-titled single, was heavily based on The Robots but was withdrawn when Kraftwerk's land sharks drew near.
never heard this one before. --- micah stupak micah@benthic.cc www.benthic.cc benthic recordings - soundings from unexplored places
participants (5)
-
Andrew McCombe -
Chris Peel -
Jon Doe -
Loki Ambrodious von Esling -
micah stupak