I'd be interested in sampling(!) some of your mixes, as those are all bands I like a lot. I've also become a slightly obsessive collector of KLF unofficial remixes (an unhealthy habit) so I would certainly be interested in those. Any chance of a few uploads?

lysergic <lysergic@btinternet.com> wrote:

I've done a few mixes from commercially released tracks and find that
the best starting point is to find ever existing mix of the track in
question and see if the phrase (musical or vocal) that you wish to
include in your new mix is included in any introduction or breakdown
section. I find that with most tracks that have been released, there is
enough variety in different mixes to allow flexibility in remixing and
create your own private idaho... I personally use cooledit pro and
start with .wavs of all existing mixes, isolate potential loops and
phrases and save them as individual .wavs. After stockpiling enough raw
material, have at it with the mixing and have fun!

Cheers,
Lysergic

Oh and look for my mixes of depeche mode, new order, the orb, klf,
mission giant, britney spears, butthole surfers and more!



-----Original Message-----
From: klf-bounces@mailman.xmission.com
[mailto:klf-bounces@mailman.xmission.com] On Behalf Of Chris Peel
Sent: Monday, November 10, 2003 1:01 PM
To: 'All bound for Mu-Mu Land.'
Subject: RE: AW: [KLF] OT: bootlegmixing 2.



Don't forget how tracks are recorded - the backing will be put down,
then the rest of the melody, then the singer (in the case of high
profile performers such as Madonna, etc. they may not even go into the
recording studio, rather they'll use a satellite one near wherever they
are at the time) will sing the vocals. All these are recording on
different tracks so the engineer can then cut them up, clean them up and
tweak them as necessary.

All you need to do is get hold of the DAT (or, nowadays, hard disk)
which contains the indivdual tracks, bingo - an accapella (or
anti-accapella)...

Rgds

Chris



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