I´ve got my KLF 92 PROMO 4 for sale rite now on ebay.. unreleased, unedited release of love strobe Anyways, I never have had 92 - 3 in my hands and I don´t think I ever will. If the discog is right there are at least 20 originals and according to the list -x- boots. Ny one got a spare left? Concerning the pt3. Once one has got the --original-- labels at home, don´t think the white label being sold is an original pressing since (arkive) one spoke about a 1 sided promo. Could be an after hour pressing. Jimmy stated that pt3 never saw the day of light according to the brandnew.com interviews. Chris mentioned the pressings are boots/counterfeits/represses/whatever.. so the things at ebay are like boots/counterfeits/represses/whatever. If you like the music, buy them. If you´d like to complete YOUR discog, do it. Otherwise leave it. Will sell my PT3 labels soon...
From: "Shrimpton Mark" <Shrimpton.M@mellon.com> Reply-To: "All bound for Mu-Mu Land." <klf@mailman.xmission.com> To: "All bound for Mu-Mu Land." <klf@mailman.xmission.com> Subject: RE: [KLF] Why Promo? Date: Mon, 26 Jan 2004 12:17:33 -0500
Ok, so, if anybody wants to hook me up with some bootleg materiel on vinyl, then let me know. I DJ at clubs and on the radio, I want to play the music, I want people to hear it.
Mark
-----Original Message----- From: klf-bounces+shrimpton.m=mellon.com@mailman.xmission.com [mailto:klf-bounces+shrimpton.m=mellon.com@mailman.xmission.com]On Behalf Of Don Gagen Sent: 26 January 2004 17:02 To: All bound for Mu-Mu Land. Subject: RE: [KLF] Why Promo?
From: klf-bounces+dgagen=ensemblestudios.com@mailman.xmission.com [mailto:klf-bounces+dgagen=ensemblestudios.com@mailman.xmission.com] On Behalf Of David A Sent: Sunday, January 25, 2004 6:07 PM To: Trancentral
Subject: [KLF] Why Promo?
Why are we so worried if we own an original or not?
Sure, some of us probably paid shitload of money
to have an original copy but does it really matters?<
I wouldn't care if it were a bootleg, but mine was sold to me as the real thing, and I paid the price of the real thing. That's the difference. Just like anything from a hamburger to a car, I want what I paid for, not some cheap-ass imitation. However, I didn't keep my copy under glass. It was well cared for, but it was played as it should have been.
Don
"There is no greater joy than soaring high on the wings of your dreams, except maybe the joy of watching a dreamer who has nowhere to land but in the ocean of reality."
Despair INC.
DONALD D GAGEN
MAILTO:DGAGEN@ENSEMBLESTUDIOS.COM
ENSEMBLE STUDIOS
http://www.ensemblestudios.com
_____
From: klf-bounces+dgagen=ensemblestudios.com@mailman.xmission.com [mailto:klf-bounces+dgagen=ensemblestudios.com@mailman.xmission.com] On Behalf Of David A Sent: Sunday, January 25, 2004 6:07 PM To: Trancentral Subject: [KLF] Why Promo?
Hi,
Why are we so worried if we own an original or not?
Sure, some of us probably paid shitload of money
to have an original copy but does it really matters?
I mean REALLY!
$1000 for a one sided ugly ass lookin' 12" which nobody
even knows if it's original or not! and for what? so we can
hug and kiss it every night before we go to sleep? I mean
nobody is buyin' it to PLAY it. We already have it on
MP3's, CD-R'S, Bootlegs and some other shit...
and some people call Bill & Jimmy crazy.
I think that some of us needs a reality check!
Just be happy that you own it, if it's an original or not -
for years I was too afraid to check my stuff to find'em
fakes and NOW... who gives a flying shit!
In my opinion, people stop spending you're money on this
stuff. Just be happy that you have access to the music!
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