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Re: [KLF] CHILL OUT TWO
by Drazen Kusic 03 Jul '04

03 Jul '04

>From: Jez Rothwell <jez(a)toppos.co.uk> >Subject: Re: [KLF] CHILL OUT TWO Hi Jez, If you plannin' to burn some CDs count me in. Dex My name is Dex and they call me Sky Riding the waves with out heads held high We came from Atlantis on a burning shell with our 808 program to sell. -- Sudjelujte u Iskon Bonus nagradnom programu i osvajajte nagrade. Saznajte viÂše na web adresi http://www.iskon.biz/bonus/

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Re: [KLF] Space and [OT] west papua
by Phil Smith 02 Jul '04

02 Jul '04

if anyone wants a copy of space i'll chuck one in free with every video i flog to raise money for the fpcn charity which is relevant to the below.... email me at demons_13(a)hotmail.com if u fancy. CONTENTS: 1 .Urgent support needed for Mr Yusak Pakage - arrested West Papua freedom activist. 2. DEMONSTRATION AGAINST THE INDONESIAN PRESIDENTIAL ELECTIONS, LONDON MONDAY 5TH JULY 2004. 3. Please write requesting that refugees living in Vanimo not be forcibly moved to East Awin but be allowed to live on land being offered to them in Blekwara. 4. **URGENT** OPM PRESS RELEASE ________________________________________________________________________________ 1. June 30th 2004 Yusak Pakage was chairman of the West Papua Solidarity Committee. He waspreparing a peaceful protest to celebrate 1st July 2004. Yusak Pagake was arrested by Indonesian Police today at 3 o'clck PM West Papua time. Right now he is being held in the cells at police headquarters. We are now appealing to you all West Papua friends to make a call to this number..... 00+62 967 521926 (House of the West Papua Police Commissioner) and +531014 (Office). Please insist that Indonesian Army let him go free without any condition. Thank you for your support. West Papua freedom Fighter 2004 ________________________________________________________________________________ 2. DEMONSTRATION AGAINST THE INDONESIAN PRESIDENTIAL ELECTIONS, LONDON MONDAY 5TH JULY 2004. Meet Midday, Green Park Tube or later at the Embassy on Grosvenor Square. Following the successful global demonstrations at Indonesian Embassies during the April 5th Parliamentary Elections there will be further solidarity demonstrations in London during the July 5th Indonesian Presidential Elections. During the April parliamentary elections West Papuans burnt down polling stations, sank a boat carrying ballot papers and the majority refused to vote Despite going almost unreported this represented one of the biggest acts of resistance against Indonesian occupation by the West Papuan people for some time. And contrary to what one would believe there was little retaliation from the police or military. This may have been in part due to a swathe of simultaneous solidarity demonstrations at Indonesian embassies around the world. It is not unlikely that faced with the prospect of having to vote for the likes of Megawati and Wiranto similar scenes will be played out in West Papua and we believe it important to show the Indonesian authorities that we are watching. Last time in London we successfully disrupted one of the embassies proudest and most public days of the year as every ex-pat Indonesian who turned up to vote was greeted with huge Free West Papua banners and leaflets explaining why we were there. Please try to make it this time. We have already heard demonstrations are planned in the Netherlands and France also. ___________________________________________________________________________________ 3. PLEASE WRITE REQUESTING THAT REFUGEES LIVING IN VANIMO NOT BE FORCIBLY MOVED TO EAST AWIN BUT BE ALLOWED TO LIVE ON LAND BEING OFFERED TO THEM IN BLEKWARA. We have been told by the West Papuan refugees living in the Transmitter camp near Vanimo, PNG that following the good news that they will be allowed to stay in PNG they have been told they must however be relocated to East Awin. This is a very serious issue as the proposed move goes completely against the wishes of the refugees. Many refugees previously have been forced to move to East Awin and it is well known as an extremely uninhabitable area rife with malaria. Many of the refugees who were previously moved there DIED as a consequence! The refugees in the Transmitter camp, most of whom arrived in the year 2000, have been given an alternative by John Pun the tribal chief of Blekwara area who is offering some of his land for the refugees to live on. It is the wish of both the refugees and the citizens of Blackwara area that the refugees be allowed to move to the designated area of land and settle there. We have been requested to write letters of support for this position and send them to the PNG government and UNHCR officials. A model letter with addresses is below. Last year when these same refugees were being threatened with being forcibly returned to PNG many of us protested and later the refugees were allowed to stay so please write to help ensure their safety now, sample letter below..... Dear I am writing to you to voice my concern about the plans of the PNG government to send some 400 West Papuan refugees currently living in the Transmitter camp near Vanimo, Sandaun Province to East Awin. I would like to make it clear that it is not the wish of any of the refugees to be moved to this area. Refugees who have previously been forced to live in East Awin have found it almost uninhabitable, bad for growing crops and rife with malaria. Many who were moved there have died as a result! I therefore think it is inhumane for the government to go ahead with its plans to relocate the refugees to East Awin and it also clearly goes against Article 26 of the UNHCR Convention on Refugees which states that: Each Contracting State shall accord to refugees lawfully in its territory the right to choose their place of residence to move freely within its territory, subject to any regulations applicable to aliens generally in the same circumstances. At a meeting held on 28th March 2004 between the tribal chief John Pun and other landowners in the Blekwara area and the refugees in question, John Pun and the landowners agreed to give a section of their land for the refugees to live on. It is the wish of the refugees in question and the landowners in Blekwara that the refugees be allowed to move to this land. We strongly urge you to co-operate with this more favourable agreement and not send more people to their deaths in East Awin. The area of land being generously given in Blekwara is the correct solution to this issue and we will be watching to make sure that the refugees are allowed to safely move there. A letter of consent was drawn up by the refugees and signed by the landowners of which you have been sent a copy. yours..... Send copies to: Minister of Foreign Affairs and Immigration, Sir Rabbie Namaliu. Natioinal Parliament House PO Parliament House Waigani PNG Head, Regional Bureau of Asia and Oceania, UNHCR, Geneva (or fill out the form on their website at http://www.unhcr.ch/cgi-bin/texis/vtx/contact Office of the Prime Minister of Papua New Guinea Morauta House, Waigani, P.O. BOX 639, WAIGANI, Papua New Guinea Telephone: (675) 327 6525 Facsimile: (675) 323 3943 Translated text of the agreement between the Blekwara landowners and the refugees (original document to be posted on web soon): REPORT OF MEETING DECIDING THE STATUS OF REFUGEES LIVING IN TRANSMITA ROAD, WARAKONGKONG, VANIMO, SNDAUN PROVINCE, PNG To: Prime Minister Michael Somare - Port Moresby, PNG Powes Parkop, Lawyer, Port Moresby, PNG Official UNHCR, Port Moresby, PNG Governor Vanimo, Sandaun Province,PNG The Bishop of Vanimo, Sandaun Province, PNG Human Rights Officials, Port Moresby, PNG According to the report of the meeting and the decision of the 3 tribal leaders (land lords) and representatives of the people on 28th March 2004, in response to the removal of the West Papuan refugees (2000) from Vanimo, Sandaun Province, PNG. We the tribal leaders (land owners) remind the background and state that: 1. We give land and permission to live in Blekwara area to the refugees who have already lived with us from 2000- 2004. 2. We give permission to live in Blekwara because we are one race -Melanesian, one island, one skin, one religion, one ancestor, one tradition and culture. 3. We give permission to build houses, school, hospital, transportation and economy in the land in Blekwara. 4. We give permission, place in Blekwara because this area is already assigned to the first refugees by the PNG government 5. We want refugees 2000 to stay because the first refugees who were moved to East Awin are already dead. 6. Refugees 2000 are not prisoners of war. 7. Any more Refugees that are moved to East Awin will certainly die. With the above reasons we the landowners decide that refugees 2000 are truly received in our area in Blekwara.This is a decision from us. We propose to the national government and council to respond to the above and co-operate with us gratefully. Signed by: 1. John Pun - Land Owner, Blekwara 2. John Wapou - Blekwara 3. John Clemen - Blekwara 4. Anglem Aiya - Blekwara 5. Paul Supa - Blekwara 6. Richard Kaso - Blekwara ________________________________________________________________________________ 4. URGENT OPM PRESS RELEASE WEST PAPUAN PEOPLES REPRESENTATIVE OFFICE P.O. Box 1571, Port Vila, Republic of Vanuatu Port Vila, Vanuatu, June 29, 2004 OPM denies involvement in Freeport killings Against strong evidence to the contrary, Jakarta and Washington are now attempting to place direct responsibility on the OPM for the murder of two American civilians and the wounding of eleven others, in 2002, near the US owned Freeport gold and copper mine in the disputed Indonesian province of West Papua. The OPM believes this is a blatant cover-up. The primary motive behind the indictment is to provide justification for the restoration of military ties between the present US Administration and the new Indonesian Government under the anticipated presidency of General Susilo Bambang Yudhoyono, after they were suspended following the TNI's brutal support of militias in East Timor. The present actions of the US Attorney-General represent the second time that the US has abandoned the West Papuan people, sacrificing them on the altar of international "realpolitik". The first time was under the Kennedy Administration of forty-two years ago when the New York Agreement handed West Papua over to the Indonesians as a way of appeasing the Sukarno regime which was, at that time, flirting with the Soviet bloc. Even UN personnel have since discredited the so called "Act of Free Choice" in 1969 which the UN supervised to rubber stamp Indonesia's annexation of West Papua. The OPM have made their position clear that the OPM has not been involved in the killing of innocent civilians, whether Americans or otherwise.Earlier investigations made by the local Police Chief, Brigadier Pastika and the FBI, have shown strong evidence that the Indonesian military were directly involved in the killings. This view is shared by the surviving victims themselves. We, as representatives of the OPM and of the West Papuan people, have condemned this incident as a crime against humanity. The alleged perpetrator, Mr Antonius Wamang, an ethnic Papuan, has never been an operational commander of the OPM. He has, however, been a suspected member of Cassowary Force, a Pro Jakarta Papuan Militia, set up by the TNI. Wamang has been observed to fly regularly between Papua and Jakarta for meetings with the Indonesian military. He has also been involved in the sandalwood trade in partnership with TNI. The TNI has a long history of supporting proxy militias in East Timor and West Papua. We vehemently deny any link between the OPM and this person. Any attempt by the US Government to blame the OPM for the Freeport killings or label it a Terrorist Organization is not only wrong, but counter productive, considering that it is TNI/ Kopasus Forces who are protecting and training Islamic terrorist organisations such as Laskar Jihad. The OPM is studying it's own intelligence reports suggesting the presence of Al Qaeda cells already operating in West Papua. The OPM has in the past warned Canberra, Port Moresby and Washington about the build up of Islamic terrorist organizations in West Papua. We call upon the friends of West Papua in the United States, especially in the US Senate, to urge the Attorney-General to carry out further investigations into the incident in order to arrive at the truth. We agree with the assessment made by Edward Mc Williams, a former senior US diplomat to Jakarta who has said: "If we go after the Free Papua Movement, we are basically conspiring in a cover-up". For detailed information, please contact Dr. John Ondawame, OPM International Spokesman on: +678 42601 Dateline [SBS TV Australia] broadcast June 30 and July 1 2004 -transcript- Two years ago three teachers, two American and one Indonesian, were gunned down in the mountains of West Papua. Suspicion about Indonesian military involvement in the killings has been a constant thorn in the side of the Indonesian -US relationship. Anthony Balmain, reporter......... "Almost two years ago on this mountain road in the remote highlands of West Papua, two car loads of American schoolteachers were ambushed and mowed down in a hail of gunfire.The teachers were working at the international school servicing the giant US-owned Freeport McMoRan gold and copper mine." Patsy Spier, injured teacher........ "The first two shots killed Rick and Ted and then the shooting just kept continuing into their vehicle until our vehicle came upon it, which was three minutes later, or so, and then the shooting started coming into our vehicle. After about 45 minutes and the shooting was still continuing, because we didn't know any of this help was coming, and it was...it was OK if they came and shot me. It was...I felt very at peace, that it was OK. Immediately, Indonesia lay blame for the killings on local tribes-people fighting Freeport mine for their land and the Indonesians for their independence. But within days of the investigation beginning, suspicions soon shifted to the military. Firstly, Indonesian soldiers stationed at checkpoints close to the ambush site didn't react, even though there was a cacophony of gunfire for 45 minutes. Also West Papua's police chief at the time, Made Pastika, noticed that this Papuan man's body, allegedly found by the military at the ambush site, had actually been dead for some time." Patsy Spier was shot in the back, shattering a rib. Her husband Rick was killed after being shot in the head. 3 teachers were killed in total and 11 were injured. Made Pastika, Chief of police West Papua........ "One thing that I showed the police that the body was already stiff. A police autopsy later showed the man had been dead for more than 24 hours before the Indonesian military said they killed him. Questions were also being asked about whether the local tribes-people, armed mainly with bows and arrows, had the military-issued guns and hundreds of rounds of ammunition used in the attack. We found 134 shoot marks on the vehicle, mostly in the body of the mini bus - two mini bus. Some are in the trucks and some in the trailer. We showed that this shooting was very brutal. The military did conduct its own internal inquiry, which reported last year, concluding that they were not involved at all. And just last Friday, in a surprising development, the United States FBI charged a West Papuan man, Anthonius Wamang, with the murders and claimed he was working for the Free Papua Movement, or OPM. ________________________________________________________________________________ http://www.WestPapua.net/ http://www.MelanesiaNews.org http://www.fPcN-global.org Become a friend of West Papua http://www.FreeWestPapua.org Send your contact details - address, phone number and email to: Free West Papua PO Box 343 HATFIELD Herts AL9 7ZN or email to: bongo(a)fPcN-global.org _________________________________________________________________ Express yourself with cool new emoticons http://www.msn.co.uk/specials/myemo

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Re: [KLF] RE: KLF Digest, Vol 17, Issue 2
by John Smiles 02 Jul '04

02 Jul '04

Tosh, I recon JC is the main man for KLF the heart and sole, BD is just a twat with Cash, also shouldn’t forget JCs misses Cresida she had a lot of input, I remember being about 19, wishing i could input into her when she wore that cat suit, yum yum. Hope rockmans still rocking her good and prpoa like ------- Original message ------- From: Aaron Jordan <aaronwulf_77(a)hotmail.com> Date: Thu, 01 Jul 2004 13:54:34 -0600 Subject: [KLF] RE: KLF Digest, Vol 17, Issue 2 Why do you guys worship Bill and Jimmy, when Young MC and that chick was "The KLF" ? Out >From: klf-request(a)mailman.xmission.com >Reply-To: klf(a)mailman.xmission.com >To: klf(a)mailman.xmission.com >Subject: KLF Digest, Vol 17, Issue 2 >Date: Thu, 01 Jul 2004 13:42:55 -0600 > >Send KLF mailing list submissions to > klf(a)mailman.xmission.com > >To subscribe or unsubscribe via the World Wide Web, visit > http://mailman.xmission.com/cgi-bin/mailman/listinfo/klf >or, via email, send a message with subject or body 'help' to > klf-request(a)mailman.xmission.com > >You can reach the person managing the list at > klf-owner(a)mailman.xmission.com > >When replying, please edit your Subject line so it is more specific >than "Re: Contents of KLF digest..." > > >Today's Topics: > > 1. CHILL OUT TWO (gieszen23(a)zonnet.nl) > 2. Bill interview from 1991 (mikkovirtanen(a)surfeu.fi) > 3. Re: Space (TheMgnt(a)aol.com) > 4. AW: [KLF] CHILL OUT TWO (John Milne) > 5. Re: CHILL OUT TWO (Drazen Kusic) > 6. RE: AW: [KLF] CHILL OUT TWO (Drazen Kusic) > 7. [OT] Apologies (Drazen Kusic) > > >---------------------------------------------------------------------- > >Message: 1 >Date: Thu, 1 Jul 2004 17:22:32 +0200 >From: gieszen23(a)zonnet.nl >Subject: [KLF] CHILL OUT TWO >To: klf(a)mailman.xmission.com >Message-ID: >Content-Type: text/plain; charset=ISO-8859-1 > >Yo, > >Maarten, count me in for copies here in Holland. > >Cheers > >Pieter > > > >-- >_____________________________________________________________________ >Zon Gratis ADSL. De voordelen van gratis internet met de snelheid van >ADSL. Zonder abonnementskosten en zonder vast contract. Je betaalt >alleen voor de tijd online. Nu zonder aansluitkosten en met gratis >modem. Bestel snel op zonnet.nl. > > > > >------------------------------ > >Message: 2 >Date: Thu, 1 Jul 2004 18:29:14 +0300 (EEST) >From: >Subject: [KLF] Bill interview from 1991 >To: >Message-ID: > >Content-Type: text/plain; charset=iso-8859-1 > >This interview of Bill Drummond was published in Soundi, a finnish (rock) >music >magazine in April 1991 and seems to be made just after The White Room was >released. At least I've never seen it translated in english, so here you >go. >I doubt there's anything new to you, but I thought it was nice to read. > >----- > >Bill Drummond, The KLF: "Whitney Houston killed Laura Palmer!" > >[brief history of the band snipped off] > >Interviewer: At first, is it true that you and Jimmy Cauty were arrested >couple of weeks ago? > >Bill: (silence) ...uh yes, where did you hear about that? > >Interviewer: I read it from a magazine. > >Bill: Oh... (silence) Well, I guess I can tell about it then... >Sunday Times has this big advertising campaign going on. Their posters >read, >relating to the Gulf War, on big letters "The Gulf - The Analysis, The >Facts" and something else. One day I and Jimmy decided to replace the >letters GU from one of these posters and painted over, with even bigger >letter, "K" so the text turned into "The KLF". Because we had an interview >with Melody Maker on that same day, we took some photos for the magazine >in the >front of the modified poster. While we were taking them, three ordinary >looking guys, like straight from some pub, came and asked what we were >doing >and why. Right after we had told them, they revealed themselves as >policemen >and arrested us for four hours. > >Interviewer: I recall you've done something similiar before? > >Bill: Yeah. Back when we were performing as the Justified Ancients Of Mu Mu >we used to do quite similiar things. We for example painted some roofs >in South London. > >Interviewer: Let's talk something about music instead of painting then. >How did you enter the music business anyway? > >Bill: In fact I've been involved since 1977, when punk was a big thing. >I saw The Clash on stage, got excited and thought "I should try that". >On next day I started a band with two of my friends. They didn't know >anything about being in a band and I knew only couple of chords on a guitar >so nothing really happened. > >Interviewer: That sounds quite the ordinary way to start a band... > >Bill: Yes, I suppose it was. > >Interviewer: How did you started with Jimmy then? > >Bill: We've been knowing each other since 1984, when we started taking >walks >together... Our first band was founded in January 1987. It was ment to be >just a name for an one-off project I wanted to do. I was basically fed up >with the music business after managing some other bands, but I wanted to >do one of those hip-hop things. The song was All You Need Is Love and >it was published on our own label because no-one else wanted to publish it. > >Interviewer: And it was KLF Communications already back then, right? > >Bill: Like I said, no-one else wanted to publish the record so we invented >the name KLF Communications and after that have published everything on it. > >Interviewer: Where do the letters KLF come from? > >Bill: It means Kings Of Low Frequences. Well, actually it doesn't >mean anything, but we make up new meanings for those three letters now >and then, sometimes every day. > >Interviewer: So what do they mean today? > >Bill: Today... actually, we've been using Kings Of Low Frequences during >the whole year... On the other hand we've got this theory that when we >found out what those letters really mean we quit the whole band. We've >then done that, what was why we founded the band and there's no use for >it afterwards. > >Interviewer: During years you've been using different names, like The >Timelords and The JAMS. Are still going to use them someday or are you >using only The KLF? > >Bill: We've planning to do an album as The Justified Ancients Of Mu Mu. > >Interviewer: You've also written a book, The Manual, and said that you >know some bands that have used it to make hit records. Could you name >some of those bands? > >Bill: First and clearest example would be the Austrian band Edelweiss with >Bring Me Edelweiss, but our book has also inspired Andy Weatherall, who >did Loaded with Primal Scream, to go into studio and do what he wanted. >He obviously hasn't followed the book to a letter, but inspiration surely >comes from there. The book isn't really ment to be taken as a step-by-step >guide to create a number one hit, but to encourage people to be express >themselves. Last year's big hit, Hear The Drummer Get Wicked by Chad >Jackson, >was also just like something made by our book. > >Interviewer: I'd like to ask about the infamous White Room movie, which >hasn't yet seen the light of the day. I've heard that you used quite >a lot of money to make it, is that true? > >Bill: Yes, we used about 250.000 pounds, which was all we had and made >with The Timelords single. That money would have paid a couple of really >good houses. To complete the film, we still need about 1 million pounds. > >Interviewer: How does your new album The White Room relate to that movie? > >Bill: The album is written as a soundtrack to the movie. So the songs are >actually quite old, we've just finished them now. We started doing the >movie in autumn of 1988 and have no idea about it's finishing. Maybe some >day... > >Interviewer: So is the film ever going to be published? > >Bill: We are definitely planning to publish it, but we have no manager, >no record company, simply nobody who would tell us how to handle with >this situation. We have same kind of problem in record business. What >Time Is Love has been released in many different versions after the >original mix in 1988 and only last autumn it became a hit. > >Interviewer: Have you got any new movie ideas then? > >Bill: Of course! We've known the name of our next movie for last three >years! It's going to be The S.S. Liberation Loophole. It comes from >a steamboat that we would like to buy. But maybe we've really have to >buy it first. Or maybe the other way around, I'm not sure. Many of >the things will happen inside the ship anyway, so we don't actually need >the ship before we're making the film. > >Interviewer: Let's return to the album again. Could you tell a little >about the material on it? > >Bill: The two songs that everyone already know, What Time Is Love and >3 A.M. Eternal are fast dance tunes. The rest of the songs instead >are more like our previous record, the ambient house album Chill Out. >It really doesn't have so many dance tunes. We don't want to be like >some Technotronic, of whom you can tell what's the whole album like when >you've heard one single. I can say about The White Room that it's not >only a dance album and not like 'angry' stuff we made as The JAMS. Maybe >we don't really need to know what kind of music our album is. That's >what the critics supposedly are for. > >Interviewer: After the success of What Time Is Love, did you feel any >pressure to change the album to one direction or other? Or were you >tempted to try to maximize the commercial success by recording a whole >album of What Time Is Love soundalikes? > >Bill: (laughs) When one listens the album, one will notice that there >really aren't ten hit singles. We're actually in a quite weird situation, >because we never planned... well, if we ever had any plan... anyway, >we never planned to turn The KLF into a hit band. Now we've had two big >singles and people will except our album to follow the same style. But >The White Room is not that kind of album. We haven't even thought about >a huge marketing campaing to promote the album, which is what every big >record company would have done if it had a band with two hit singles. In >England we have our own record company and we control everything by >ourselves. > >Interviewer: How it's possible that KLF Communications can still stay >and work as independent in a world of global companies? You've surely had >many offers to buy you. > >Bill: To be honest, none of the big record companies have taken contact. >Maybe they're scared of us and thus never made any offers. But if someone >would offer us a deal, we probably wouldn't accept anyway because it would >definitely mean the loss of control. As a teenager I might have thought >"fuck it" and taken the money, but we're no teenage boys anymore. We want >to keep the power over our own things with ourselves. > >Interviewer: The KLF isn't very eager to play live... > >Bill: We hate playing live! > >Interviever: ...so why the both singles, What Time Is Love and 3 A.M. >Eternal are faked as live recordings? > >Bill: Yeah, they aren't really live, but the reason why we haven't >been too eager to tour is that we will never achieve the quality of our >records on stage. If you listen those songs, they sound like we're playing >some massive arena in front of thousands of raving people. It also is, what >people would except if they come to see The KLF live. We're not performers >in the true meaning of the word, we're just guys who make records. I think >it's same kind of situation if you asked for a carpenter make a table and >do >it on stage. > >Interviewer: But you've done some gigs. > >Bill: Yes, quite a lot actually, but we're not really fond of them. >Sometimes it has worked, sometimes it has worked in some weird way, but >usually after a gig we've been really embarrassed. > >Interviever: You've done some remixing work for other artists, like >Pet Shop Boys. Are you planning to do more? > >Bill: After we made the remix for Pet Shop Boys last year, our phones >have been ringing almost constantly as different record companies have >called and asked for remixes for the weirdest artists. We don't get any >satisfaction from remixing. If we were DJ's, things might be different >and we could even enjoy that, but now it feels mainly frustrating. >We just got a Whitney Houston album by mail. It came with a letter that >said we could pick any song we wanted from album for remixing. Really >ironic situation, cause we stole some Whitney Houston for one of our >songs just couple of years ago and her record company was planning to >sue us! Now they want us to remix her. > >Interviewer: Maybe they didn't know that you we're behind Whitney Joins >The JAMS? > >Bill: They did - and that's what is so weird in it. Clive Davis, who is >the boss of Arista, was the executive producer on that Whitney album. >We thought too that he didn't know who we are or what we had done, but he >did. He has actually called us and wants us to make a new version of >Whitney Joins The JAMS as a b-side! We've also offered a photo session >with Whitney where she would be wearing a KLF T-shirt! > >Interviever: So are you going to do that? > >Bill: Like I said, we now have the new Whitney album and we did listen to >it, but didn't like any of the songs. Maybe we're giving it another try, >but at first we didn't like anything on it! > >Interviever: Let's stay still in remixing. Your decision to let Mad >Professor remix 3 A.M. Eternal was quite extraordinary. Why him? > >Bill: I've worked with him before, and like his music a lot. Also we >wanted to avoid this 'hey let's give our song to some well known DJ for >remixing" attitude. So we used Mad Professor and he did the remixes with >Moody Boys, who we've worked with before too. It actually was quite >ordinary decision to us and we did also know that it would make no sense in >club scene. > >Interviewer: Have you decided what's going to be next single? > >Bill: Yes, we finished it just a couple of days ago and it's going to be >a new version of album track Last Train To Trancentral. It is also >supposed to be our last stadium rave record. > >Interviever: What do you think about this new trend where bootlegs, like >DNA vs Suzanne Vega and others are now published officially, when just >a couple of years ago you we're attacked by police and lawyers for >practically the same reason? > >Bill: I'm actually not angry or bitter about it. It happens every time in >the music business; someone invents something new and everyone is against >it. And after couple of years it is copmpletely accepted. It makes no >sense, >but in pop music all means are legal to gain maximum profit. > >Interviewer: Last question, have you watched Twin Peaks? > >Bill: Are you asking because of that song in our album? > >Interviewer: No, no. > >Bill: Ok... I've watched it for five minutes and stolen a bit of that >wonderful music. We had a huge inspiration while watching an episode and >used that song in one of ours right there. Who killed Laura Palmer? I don't >know, someone told it was us. But for you I can tell as a secret, that >Laura Palmer was really killed by Whitney Houston! > >Interviewer: Right, thanks... > > > > > > >------------------------------ > >Message: 3 >Date: Thu, 1 Jul 2004 13:07:56 EDT >From: TheMgnt(a)aol.com >Subject: Re: [KLF] Space >To: klf(a)mailman.xmission.com >Message-ID: >Content-Type: text/plain; charset="us-ascii" > > > I was just wondering whether anybody knew of a re-issue of Space on CD, >or >is still as > > rare as it always has been? > >There was a bootleg issue of Space a few years back on CD, but yeah, it's >still hard to find. > > >-paul >

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Re: AW: [KLF] CHILL OUT TWO
by John Smiles 02 Jul '04

02 Jul '04

Pha typical scotts-man.! :) ------- Original message ------- From: John Milne <john(a)highlandland.fsnet.co.uk> Date: Thu, 1 Jul 2004 19:39:41 +0100 Subject: AW: [KLF] CHILL OUT TWO And for the fans in Scotland. (I'm sure others can cover England, and at least it means difficult Scottish placenames/surnames will be spelled properly! :-)) John >> Same here for the dutch fans. Maarten >From: "Thomas Touzimsky" >Reply-To: "All bound for Mu-Mu Land." >To: "'All bound for Mu-Mu Land.'" >Subject: AW: [KLF] CHILL OUT TWO >Date: Thu, 1 Jul 2004 12:17:56 +0200 > >I would volunteer in doing copies for german fans. Keeps the p&p costs >down. :-) _______________________________________________ KLF mailing list KLF(a)mailman.xmission.com http://mailman.xmission.com/cgi-bin/mailman/listinfo/klf SIZE does matter - The UK's biggest *Free* Web based mail - 10 MB Free mail.lycos.co.uk

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Re: [KLF] Space
by Kristian Biong 02 Jul '04

02 Jul '04

you can get one from sister ray in London www.sisterray.co.uk -K. >From: TheMgnt(a)aol.com >Reply-To: "All bound for Mu-Mu Land." <klf(a)mailman.xmission.com> >To: klf(a)mailman.xmission.com >Subject: Re: [KLF] Space >Date: Thu, 1 Jul 2004 13:07:56 EDT > > > I was just wondering whether anybody knew of a re-issue of Space on CD, >or >is still as > > rare as it always has been? > >There was a bootleg issue of Space a few years back on CD, but yeah, it's >still hard to find. > > >-paul >_______________________________________________ >KLF mailing list >KLF(a)mailman.xmission.com >http://mailman.xmission.com/cgi-bin/mailman/listinfo/klf _________________________________________________________________ Last ned MSN Messenger gratis http://www.msn.no/computing/messenger - Den raskeste veien mellom deg og dine venner

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A HISTORY OF CHILL OUT
by Jez Rothwell 02 Jul '04

02 Jul '04

IF ANY OF THE LIST HAS ACCES TO LIMEWIRE I'VE MADE THIS BROADCAST AVAILABLE. The title is HISTORY OF CHILL OUT Artist CHRIS COCCO Album RADIO TWO BROADCAST I'm on broadband so it's available 24/7 I'll also try and up it to the RENIGADE and KLFCENTRAL FTP's if someone can tell me how. CHEERS JEZ.

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Re: "july fools"??!
by our.webstuff＠verizon.net 01 Jul '04

01 Jul '04

On Thursday, July 1, 2004, at 06:53 PM, "Aaron Jordan" <aaronwulf_77(a)hotmail.com> wrote: > Why do you guys worship Bill and Jimmy, when Young MC and that chick > was "The KLF" ? > HUH??!

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RE: [KLF] Space
by Don Gagen 01 Jul '04

01 Jul '04

There have been 2 CD bootlegs that are decent copies of the original. One came out around 1994 and the other around 1999. Both bootlegs look like the came from the same bootlegger too. The problem is that a lot of people can't tell the real from the fake. My real one has KLF copyright information while the fake doesn't. The real disk is black with rust colored lettering and the boot is black with bright red. "There is no greater joy than soaring high on the wings of your dreams, except maybe the joy of watching a dreamer who has nowhere to land but in the ocean of reality." Despair INC. DONALD D GAGEN MAILTO:DGAGEN@ENSEMBLESTUDIOS.COM ENSEMBLE STUDIOS http://www.ensemblestudios.com

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Re: [KLF] Space
by Paul Lee 01 Jul '04

01 Jul '04

Ah right, it's just that I've found a copy here in Sydney for a ridiculously low price, it looks genuine (I've still to have a look at the actual disk though) If it seems to measure up, then I'll definitely be grabbing it. > I was just wondering whether anybody knew of a re-issue of Space on CD, or is still as > rare as it always has been? There was a bootleg issue of Space a few years back on CD, but yeah, it's still hard to find. -paul _______________________________________________ KLF mailing list KLF(a)mailman.xmission.com http://mailman.xmission.com/cgi-bin/mailman/listinfo/klf

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Re: april 91 interview
by our.webstuff＠verizon.net 01 Jul '04

01 Jul '04

On Thursday, July 1, 2004, at 03:42 PM, <mikkovirtanen(a)surfeu.fi> wrote: > > This interview of Bill Drummond was published in Soundi, a finnish > (rock) > music > magazine in April 1991 thanks for submitting the interview to the list, I enjoyed reading it

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