Your subtle work with the timing of your music reminds me a little of a friend

who played the trumpet and wrote a piece of music for two groups

of trumpets: one group at the front of a very large room (like a cathedral

or auditorium) and one at the rear.  He wrote the rapid rhythms of

his music to make use of the relatively large amount of time that it took

for the sound to travel the length of the room and reach the other players.

He was writing in 1964 -- exactly 50 years ago!

 

This really has something in common with my shifting rhythm.
The primary principle was used by the Pygmees, musical geniuses.
Terry Riley - "In C" and Steve Reich -  "Drumming" used it in their
compositions but Live Performannce has it´s limitations of course
So Fractal Music including my Fractal Rhythm which uses this
principle with utmost perfection is the solution. As far as I know
I am the only one worldwide doing this.
;
Albrecht